What is Missing
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Illustration by William Lackey in Crazy White Man showing Richard standing alone in front of the island cabin he shared with Nan, with two Ojibway people in the canoe.
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“Every individual’s story has its enthralling aspect,
though the essential pivot is usually omitted or obscured by most
autobiographers.”
- Anthony Powell, Books Do
Furnish A Room
“No
one can tell the whole truth about himself.”
- Somerset Maugham
“They
all said I was crazy," Richard Morenus begins in his 1952 book, Crazy
White Man (Sha-g-na-she Wa-du-kee). "When I finally began to agree
with them, it was then too late for me to do anything about it. I was seated in
a canoe, well past the last outpost of civilization, headed northward toward
the bit of insular real estate I had bought, sight unseen, deep in the Canadian
bush country. ... I was on my own."
But of
course, Richard was not on his own. When he arrived on what is now Winoga Island
near Sioux Lookout, Ontario in early May of 1941 he was accompanied by his
wife Nan. Together, the couple lived on the island for about six years, with
Nan proving herself more than capable of surviving in the remote outdoors.
There must have been severe strains on the Morenus marriage during these years,
for they were divorced in 1947.
In Crazy
White Man, published by Rand McNally, Richard omits Nan completely from his
book. He may have felt, some would say correctly, that a story of a man
surviving alone in northern Ontario for six years made for a more entertaining
story, benefiting his book sales, his career, and his reputation. Details
like his wife did not fit with his carefully constructed man-against-nature account.
It is possible that, even though Nan had died two years earlier, Richard decided
to expunge his former wife from his narrative due to lingering animosity after
their divorce. Perhaps he did not want to upset his new, sixth wife Nora by
writing anything about his fifth wife Nan. Or, who knows, maybe he and Nan had
made a deal years earlier that she would not be included in any future book he
might write about their time on the island. After all, they were both writers
competing to cover the same material. Richard won in the end.
No Photographs
There
are no photos in Crazy White Man, just illustrations by William Lackey.
Richard and Nan had taken a camera with them into the bush and they used it.
For example, Nan mentions in her 1946 Maclean’s article that they gave
old Jim Chief a photograph. “It was a snap of him we had taken on his last
canoe trip before freeze-up,” she wrote. “For once Jim was overcome. He stared
in wordless fascination at the first picture of himself he had ever seen.”
Richard
writes in his book, somewhat tongue-in-cheek, that he found two reasons why
taking pictures in the bush was extremely difficult. “One was that, when I had
the camera along, there was never anything to take a picture of,” he explains.
“The other was that, when there were things I wanted to take pictures of, I had
no camera with me.” He adds that he “deplored the usual planned and posed
photography that might give what I write the unpleasant flavor of a publicity
article.”
So, if
they had a camera with them, why are there no photos in Richard’s book? First, it would have destroyed the illusion
(which it was) that he was alone in the bush. Nan would have either been in the
photos or she would have been the photographer. Second, I think Richard
destroyed all the photos of their time on the island.
Through a series of
events, I now possess all the photographs that Richard left behind. Kim Clark
and Richard Mansfield, owners of Winoga Lodge Island near Sioux Lookout,
Ontario – once Nan and Richard’s island - sent me a box containing of hundred of
photos of Richard from his infancy to his sixth marriage to Nora Smith. There is
not a single photo of Nan (or any of Richard’s other five wives before Nora) in
the box, nor is there a single photo of the island. The closest I found were
photos of Richard re-enacting his time on the island, taken – likely in Michigan
– for book promotion purposes.
Reworking
of Previously Published Material
Crazy
White Man had the working title From Broadway to Bush, the same
title as Richard’s Maclean's magazine article of 1946. In the book, he
reworked material from his article, eliminating any references to Nan in the
process. For example, while it had been Nan’s illness that prompted the
couple’s move to northern Ontario, Richard writes in Crazy
White Man that it was he who had been ill. Here’s a comparison of the
text from each piece:
- “From Broadway to Bush:” “I looked at my watch
again—that badge of my profession I wore on my wrist. It was a stop watch,
a cruelly clever instrument of inexorable time. My wife and I had been
stop-watch slaves in New York for more than 10 years, I as writer-director
of network programs, she as one of the more popular actresses who suffer
daily in serials before the microphones. The big red hand of the studio
clock had bound us until we were accountable to it for every one of its
measured minutes. Its gifts were liberal, but the cost was great in ruined
digestions, tired bodies, and nerves as taut as piano wires. Something had
to snap. It had been Nan.”
- Crazy White Man: “The glance at my watch,
the badge of my profession that I constantly wore on my wrist, had been
thoroughly unconscious. It was a stop watch, a cruelly clever instrument
of inexorable time. I had been a slave to it in New York for more than ten
years as a writer-director of network radio programs. The watch, like its
oversized prototype on the studio wall, had a second hand, and I was
accountable to it for every one of its measured minutes. The resultant cost
was great in ruined digestion, a tired body, and nerves as taut as piano
wires. Something had to stop.”
There
are many more examples of Richard’s reworking material from his two Maclean’s
article into his book. Here are a couple of short examples from his article
“Dogs on Ice” (September 15 1948) which four years later transformed into a
chapter in his book called “Hot Dogs on Ice.” (For more examples, see blog post “Getting Around in Winter.”)
- First line of the article: “Streetcars, elevated
trains, and subways—that is what transportation meant to me until my wife
and I decided to leave New York and make our home in the Canadian bush.”
- First line of the book chapter: “Up to the time I
moved to the north, streetcars, elevated trains, buses, and
subways had been about all that transportation meant to me.”
And
another:
- From the article: “In New York it had been a very
simple matter to buy a dog, or any number of dogs, of any size, shape or breed.
You merely went to a pet shop, picked out your dog, and led it away on a
leash.”
- From the book: “In New York it had been a very
simple matter to buy a dog or any number of dogs of any size, shape, or
breed. A visit to a conveniently located pet shop, the selection of the
dog, and it could be led away on a leash.”
These
can be considered examples of self-plagiarism, a term that, according to Miguel
Roig (2015), refers to authors who reuse their previously disseminated content
and pass it off as new product without letting their reader know that this
material has appeared previously. [Source: Roig, Miguel. “Avoiding Plagiarism, Self-Plagiarism, and Other
Questionable Writing Practices: A Guide to Ethical Writing.” United States
Department of Health and Human Services, Office of Research Integrity, 2003,
2015. www.ori.hhs.gov ] (Note: The
US Office of Research Integrity states that self-plagiarism is NOT considered
research misconduct.)
Richard did
not exactly conceal from his readers his previously published articles in Maclean’s
– he mentions them about halfway through his book, stating that “Scott Young
[musician Neil Young’s father], then nonfiction editor, had given me
considerable encouragement toward continuing with a series.” But he does not
reveal that those articles were about his experiences in the wilderness with his
wife Nan. Of course, disclosing that fact would have destroyed the
tenderfoot-alone-in-the-bush narrative he presented in Crazy White Man.
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Illustration by William Lackey
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While I
have no evidence to prove it, it is possible that Richard consulted Nan’s
published articles in Maclean’s magazine during the writing of Crazy
White Man. It is interesting to compare their differing accounts of their
encounters with Jim Chief, or as Richard calls him, Wa-she-ga, which he
says means “the old bent one.” For example, here are excerpts from their
respective writing about their visit to the old chief’s wigwam:
- In Nan’s article October 1946 article “Jim Chief”
for Maclean’s, she implies that she and Richard arrived unannounced
at the wigwam of the old Ojibway chief and his wife, “We moored the dogs
and toboggan a discreet distance from his grounds and climbed the low rise
on which the wigwam squatted in a stand of balsam. … Smoke tumbled from
the apex of the wigwam, and we heard a steady stream of chatter from
within as we stood before the tightly closed flap. We waited five minutes
. . . ten. No one appeared. It was impossible that Jim and his squaw had
neither seen nor heard our dogs’ noisy arrival. The conversation from
within had disintegrated into giggles and prolonged laughter. Dick looked
as mad as I felt. ‘Enough of this,’ he said, and giving the flap doorway a
vigorous shake, he called sharply, ‘Jim!’ The flap fell away and Dick
stepped in, pulling me after him.”
- Richard writes in the chapter of his book
entitled “Nichies” (an abbreviation for nichi-nabi meaning
Indians) that he received a much different welcome to the wigwam than the
one described by Nan. “It was March of the second winter before I had the
opportunity to call upon Wa-she-ga. It was a beautiful clear day
and cold. I had informed him well ahead of the time that I might pay
him a visit, and he was eagerly anticipating it. When I arrived
at his camp, it was undoubtedly the first time in his life that he
had received a social call from a white man. When he heard me, he
came out of the wigwam to greet me. I stooped over and pushed back
the entry flap and followed him inside.”
I cannot
help but conclude that Nan’s is the more accurate account, and that, for
reasons of his own, Richard did not want to convey the awkwardness of their
unexpected visit to Jim Chief’s wigwam.
Crafting
his Reputation
At the
end of Crazy White Man, Richard declares that he never became used to
living in the bush.
I didn’t get used to the cold, the storms, the blizzards,
or the rains. I didn’t get used to the unending struggle against the
elements. I didn’t get used to hard physical work. I endured them all, but I
didn’t get used to any of them. And notwithstanding all these and more things
which I never got used to, I still love the bush. I love its grandeur, its
majesty, its dignity; its virginal primitiveness, its insidious
and fabulous charm; the greatness of it; its challenge. I knew its
strength and had felt the immensity of its power. I respected it. And I
was no longer afraid of it. The bush had taught me many things. But I
never got used to it.
With a memoirist’s
focus on self, Richard wanted to demonstrate to his readers the struggle and
achievement of his six years on what is now Winoga Island. He had suffered and
he had overcome, he tells us. He had persevered through numerous challenges and
in the end reached a personal triumph. As a source of historical truth,
however, Richard’s book must be read not for its accuracy but for its many
insights into life in the Canadian wilderness during the 1940s. I for one,
however, cannot forget that Nan Dorland was there with him.
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Nan and Richard Morenus, c. 1943. Source
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NEXT: PART TWO: Nan and John - Partners in Prospecting: Click HERE
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Champ. All rights reserved.